e-book Gods Man: A Novel in Woodcuts (Dover Fine Art, History of Art)

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One of the finest wood engravers of the twentieth century, Lynd Ward took his work to a new dimension when he created the "wordless novel. "Gods' Man, his.
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Embeds 0 No embeds. It presents the artist's struggles in a world characterized by both innocence and corruptions and can be considered a forerunner of the contemporary graphic novel, popularized by artists such as Daniel Clowes. Although best known for his "novels in woodcuts," Ward was also a successful illustrator of children's books.

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His illustrations also appeared in numerous books that received the Newbery Medal. Ward's final work was the acclaimed wordless novel "The Silver Pony" Arise Ye Dead, and subsequent albums:. But I knew from watching television that my country was currently at war in a place called Vietnam. Bombs were dropping every day, every hour, and most of the victims were civilians.

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None of the adults in my life ever explained to me what the war was about. I saw images of young men drafted, and sent off to war. Volumes of history, sociology, psychology, poetry — and the eternal human comedy were communicated to me directly through the language of pictures. Masereel continues to inspire my vision to this present day, as I create new picture stories for the twenty-first century. Maus was first published in the s as a comic, and in , it became the first graphic novel to win a Pulitzer Prize.

ISBN 13: 9780486435008

In collaboration with jazz composer and saxophone player Phillip Johnston, he created Wordless! Premiered as a lecture at the Sydney Opera House in , Wordless!

In Spiegelman presented Wordless! When Masereel passed away in , the obituary in The New York Times made no mention of his woodcut novels.

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It was not until decades later that the captionless woodcut stories he created between and were acknowledged as the most significant part of his oeuvre. The disappearance of the woodcut novel should not come as a surprise.


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Woodcarving is pure craftsmanship dating back to the Middle Ages. It not only requires talent and imagination but also the ability to focus, to be patient, to be precise, and to persevere with more energy than most artists nowadays, spoilt with technical and digital tools, can bring to the table. By definition the mere concept should be questionable, as an artist carving wood cannot be equated with someone creating and manipulating virtual imagery.